Description
Release Date: 2021
Label: Ace Records
Track List
- 1 The House Song – Lee Hazlewood
- 2 If Only She Had Stayed – Chris Gantry
- 3 Endless Miles of Highway – Jerry Reed
- 4 The Back Side of Dallas – Jeannie C Riley
- 5 Way Before the Time of Towns – Hoyt Axton
- 6 Strawberry Farms – Tom T Hall
- 7 Down from Dover – Dolly Parton
- 8 July 12, 1939 – Charlie Rich
- 9 What Am I Doing in L.A.? – Nat Stuckey
- 10 Mr Stanton Don’t Believe It – Rob Galbraith
- 11 Saunders’ Ferry Lane – Sammi Smith
- 12 Four Shades of Love – Henson Cargill
- 13 Drivin’ Nails in the Wall – Waylon Jennings & The Kimberlys
- 14 Ruby, Don’t Take Your Love to Town – Kenny Rogers & the First Edition
- 15 Why Can’t I Come Home – Ed Bruce
- 16 Mr Walker, It’s All Over – Billie Jo Spears
- 17 Harlan County – Jim Ford
- 18 Widow Wimberly – Tony Joe White
- 19 Belinda (Alt Take) – Bobbie Gentry
- 20 Joanne – Michael Nesmith & the First National Band
- 21 Mr Jackson’s Got Nothing to Do – John Hartford
- 22 Alone – Lee Hazlewood & Suzi Jane Hokom
- 23 Fabulous Body and Smile – Sir Robert Charles Griggs
- 24 I Feel Like Going Home – Charlie Rich
Notes
2021 collection. Choctaw Ridge explores a new country sound, one that emerged at the end of the ’60s in the wake of Bobbie Gentry’s ‘Ode To Billie Joe’, a shock number one hit in 1967. When singers like Gentry, Jimmy Webb, Michael Nesmith and Lee Hazlewood moved from the south to Los Angeles to make it in the music business, they were not part of the Nashville in-crowd and they forged a new direction. ‘Ode To Billie Joe’ was the tip of the iceberg, and it’s success helped a bunch of singers and storytellers to emerge over the next three or four years. Storytelling is the link between all of the songs on this collection. The tracklist and fulsome sleeve notes have been put together by Bob Stanley (Saint Etienne) and Martin Green (Smashing, The Sound Gallery), who have been collecting these records for decades. The voices are resonant and relatable, and the productions take in the best of what pop had to offer in the late 60s and early 70s. Before the factionalism between smooth pop-conscious Nashville and the hedonistic ‘outlaws’ made it look inward again, this was a golden era for an atmospheric, inclusive and progressive country music. It began on the third of June, another sleepy, dusty Delta day.
